2016 // TOKYO // Wielun, Poland, Solo exhibition
2020 // Non Places, URBAN 2020 // Trieste Photo Fringe, Italy, Solo exhibition
2025 // Life of the Asian street // Gentofte, Denmark, Solo exhibition
2018 // Non places // Tokyo International Photo Awards, Tokyo
2019 // Non places // Monovisions Photography Awards, London
2020 // Non places // Urban Photo Awards, Trieste
2021 // Non places // Moscow International Foto Awards, Moscow
2022 // Car cemetery // Tokyo International Photo Awards, Tokyo
2022 // Fishing with my Dad // Budapest International Photo Awards, Budapest
Grzegorz Fajerski is a Polish-born photographer currently based in Denmark, whose artistic journey began at the age of seven with a simple analog camera. That early gift ignited a lasting fascination with the interplay of light, time, and the transient nature of moments-an interest that has shaped his practice for decades. Since 2000 he has worked primarily in digital photography, gradually refining a personal language rooted in observation, atmosphere, and emotional clarity. Although his formal studies lie in the humanities rather than the arts, He has deepened his craft through individual courses with esteemed Danish photographers and encounters with internationally celebrated artists. These formative experiences helped shape both his technique and his conceptual sensibility. Street photography remains at the core of his work, yet he moves fluidly between genres, extending into landscape and abstract imagery. Across all subjects runs a unifying theme: the relationship between people and the spaces they inhabit-especially the anonymous, transitional environments where traces of human presence linger subtly in the background. His long-term project Non Places has become a defining milestone, earning international recognition and multiple awards in Tokyo, London, Trieste, Moscow, and beyond. Through this series, he explores the poetry hidden in overlooked urban corners, the beauty of spaces that often pass unnoticed. Fajerski’s artistic philosophy is grounded in authenticity rather than pertection. He seeks to freeze moments not to preserve them exactly as they were, but to give them new meaning-inviting viewers to pause, reflect, and reconsider what they think they see. He draws inspiration from Japanese photography, particularly the raw immediacy of Daido Moriyama, whose influence can be felt in Fajerski’s pursuit of emotional truth over technical polish. At its core, his work is a continual search for a visual language capable of expressing both the fleeting and the eternal.
“There are no bad photos. There will always be at least one viewer who says: yes, this one is great.” – Grzegorz Fajerski